Urša Čuk (1986) is a self-employed cultural worker and video artist working in the fields of visual, intermedia, and audiovisual art. Her practice focuses on audiovisual installations, video mapping, projections, and animation. She holds a BA in Archaeology and has developed her artistic practice within contemporary visual arts, exploring the relationships between sound, space, and visual imagery.

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She collaborates with the intermedia collective Beam Team, with whom she took part in the residency Sonica: PYUR × Beam Team (2025) and the project A/V2V: Companion Cube (2025). At the Svetlobna gverila Festival, she co-created the interactive installation Prekinjeni signali (2025) and the spatial installation Kristalni preporod: Transformation Through Chaos (2024), developed in collaboration with the V2V platform. She is also actively involved in theatre and dance productions, including the performances Sukeban (2024) and Stampedo (2025) directed by Varja Hrvatin, the dance performance and exhibition Paviljon objemov (2025) by artist and dancer Radharani Pernačič, and the dance performance Flamenko in omara (2024–2025) by Anja Mejač and Luka Uršič.